Literature app – Litary http://litary.net/ Tue, 17 May 2022 13:51:04 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://litary.net/wp-content/uploads/2021/11/cropped-icon-1-32x32.png Literature app – Litary http://litary.net/ 32 32 BeReal is the latest Gen Z social app obsessed with authenticity https://litary.net/bereal-is-the-latest-gen-z-social-app-obsessed-with-authenticity/ Tue, 17 May 2022 12:00:00 +0000 https://litary.net/bereal-is-the-latest-gen-z-social-app-obsessed-with-authenticity/

BeReal, as the name of the app suggests, wants me to post my truth. Once a day randomly, I’m asked to “be real”, to capture my unfiltered life synchronously through my phone’s selfie and rear camera. There is, according to BeReal, a distinctly authentic self behind the smoke and mirrors of social media, waiting to be revealed.

BeReal’s premise is simple. Every day, users are randomly prompted to take a photo within two minutes, although the post window remains open for hours. Users can add a caption, comment on their friends’ posts of the day, and interact via RealMojis or custom reaction photos. Upon posting, two streams are unlocked, one personalized with friends’ posts and the other a discovery stream that features strangers in the midst of mostly mundane tasks. Feeds are updated once a day and messages expire once the next BeReal alert is sent, presumably to get users to put down their phones and live their “real” life after a few minutes on the app.

BeReal falls into the genre of “anti-Instagram” apps, novel photo platforms that attempt to fulfill a niche social function that Instagram lacks. In this case, it’s authenticity and an ad-free experience. “BeReal won’t make you famous,” the app says. “If you want to be an influencer, you can stay on TikTok and Instagram.”

Every year or so, a hot new social startup emerges from the carpentry with an overconfident vision of a better, more authentic way to be online. It rarely sticks. In early 2021, the app of the day was Dispo, which simulated the experience of using a disposable camera by asking users to wait for photos to develop. Available benefited of co-founder David Dobrik’s YouTube fame, but a scandal led investors to quickly to get some distance since the start, even with the resignation of Dobrik. Later that year, Poparazzi, an app that encouraged users to take paparazzi photos of their friends, took off on TikTok. It hit the top of the App Store for a few weeks, but the infatuation soon appeased.

This year’s VC-animated and supported darling is BeReal, which is currently the second most downloaded social networking app on the App Store, behind TikTok. It was launched in December 2019, but nearly 75%, or 7.67 million, of BeReal’s downloads occurred this year, according to recent Apptopia data shared with Tech Crunch. The app recently closed a Series B funding round and is expected to quadruple its valuation to around $630 million, reported Business Intern may’s beginning.

“We’re always looking to connect with friends in a casual way,” said Kristin Merrilees, 20, a Barnard College student and BeReal user, who also writes about culture and the internet. “I think Snapchat was that space briefly until my friends stopped using it. Now it’s BeReal that lets you peek into people’s lives throughout the day.

What is real, however, and what is fake when we spend so much of our time tethered to screens? In a commodified social media landscape, authenticity is as much a marketing buzzword as it is a a value on the screen, praised by people, brands and, of course, apps. BeReal assumes that the authentic self can be disclosed under the right conditions – that catching users off guard will lead them to abandon any pretense. And so far, users seem to buy into its pitch.

“It has the vintage feel of the early days of Instagram,” said Sasha Khatami, 21, who works in digital marketing. “I think this is an interesting shift for people like me, who have been used to posting curated content for so long, now to a reminder to post in the moment.”

BeReal’s unsubtle marketing strategy has made it a smash hit among students. The startup pays students to serve as campus ambassadors, refer friends, and host promotional events. Besides its trendy character, the app’s concept and key functions are anything but original. It’s a timely reinvention of The back and the frontan app that popularized the simultaneous selfie and rear camera photo before shutting down in 2015. Likewise, its unpredictable daily push alert mimics the engagement strategy of Minutiae, an anonymous daily photo-sharing app launched in 2017.

Yet BeReal is hardly a threat to the established hierarchy of social platforms that have built a decade-old fiefdom from our data and attention. BeReal has no intention of redoing the social internet. Instead, it operates on the fringes of this seemingly unshakeable world order and is backed by some of the same companies that funded Instagram and Twitter. (Venture capitalists are perpetually on the hunt for the next big social startup, despite his story of false starts.) Its goal, like that of most startups, is to become commercially viable, which means it must eventually find ways to make money from its users.

The app’s biggest appeal may be its current novelty and the fact that it’s not about Instagram or Snapchat. However, BeReal does not seem to be able to escape the grip of the major social networks. Merrilees noticed an increase in people sharing their BeReals on Instagram. Some are even remix them in TikToks, like a kind of memory reel. “A lot of people migrate content across different platforms,” Khatami tells me. “It feels very natural to me. I started making TikToks of my BeReal photos after seeing people post theirs.

Since BeReal is so insular, its use is highly dependent on individual circles of friends. Once people start to get tired of it, chances are their friends will too. There’s a FOMO-ish undercurrent to the hype. People download BeReal because they are curious. They don’t want to miss anything. It’s also nostalgic bait for those old enough to remember Instagram’s ad-free days. John Herrman of The Times found that it is a “reproduction of the experience of joining one of the mainstream social networks while they all still felt like toys”. BeReal’s daily reminder attempts to enforce a reflexive instinct to post and use the app, similar to how Snapchat users feel compelled to maintain their streaks. However, these alerts seem more artificial than spontaneous. They run counter not only to BeReal’s stated mission, but also to the psychological literature on authenticity and self-perception.

Authenticity is a fluid, ever-changing social construct that cannot be clearly mediated, especially through an app. In a critical review of the concept, researchers Katrina Jongman-Sereno and Mark Leary have argued that authenticity “may not be a viable scientific construct”, citing the different definitions used by psychologists, sociologists and behavioral researchers in their assessments. So why does this concern with online authenticity seem so prevalent? The internet flattens any distinction between irony and sincerity, human and machine, right and wrong. If it’s all artifice, why bother?

Our fixation on the authenticity of publication is perhaps a reflection of our anxieties about the internet and how it undermines our modern sense of self. Authenticity is a metric for measuring content and the celebrities, influencers, brands, and individuals behind the facade. “Lately, it seems like more and more people are noticing and calling out the performances on social media, like how ‘Casual Instagram’ has been identified as a trend,” said Maya Man, an artist and programmer. based in Los Angeles. The notion of authenticity soothes the viewer, assuring them that there is some truth to what is seen online. For the poster, it’s an ego-driven ideal to aspire to or embody – even with content they’re paid to promote.

BeReal’s attempt to maintain an authentic space is far from perfect, but it poses an unanswered ontological question: Are we really ourselves on the Internet? “I consider everything you post online as a contribution to this distributed internet avatar that you perform,” Man said. “Performance is not a negative thing. It’s the fact that you have a media audience in mind, even if you’re posting to a private account.

Users who started using the internet at an early age, or “digital natives”, might share Man’s gestalt theory and are more accustomed to balancing these different personalities. That’s why people have Twitter alts, finstas, and specific accounts dedicated to food, aesthetics, or memes. Some of these disaggregated identities might be perceived as more authentic than others. Since the online self is fractured across multiple platforms and mediums, authenticity is important insofar as it is a cohesive, ready-made identity for consumption by a public audience.

In a BeReal review, Real Life magazine editor Rob Horning posits, “An even more real-life version of BeReal would simply give your friends access to your cameras and microphones without you knowing, so they could watch you and see how you act when you’re not thinking of anyone. looked. If the panoptic gaze distorts us, only voyeurism frees us.

These conditions of voyeurism were what the man sought to study by creating Looking back, a Chrome extension that unpredictably takes a webcam shot once a day when the user opens a new tab. “I was very troubled by this feeling that someone has been watching you for a long time and you don’t look back,” she told me. “That’s how my computer feels all day, and we don’t have the ability to care about its sight.”

Even under Glance Back’s unexpected voyeurism, what he captured looked no more or less authentic than BeReal’s self-directed gaze. Glance Back catches me in a distracted, cloudy-eyed state as I convey a more serious, alert version of myself on BeReal. After a few weeks of observing the repetitive contours of my life through my browser and my phone, it dawned on me that authenticity is an easy concern, easier to grasp than our constant state of surveillance. Rather than worrying about our perceived authenticity, perhaps a better question is: why are we so willing to document ourselves to prove what we already know?

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Victorian England between science and faith. From May 13 on the app https://litary.net/victorian-england-between-science-and-faith-from-may-13-on-the-app/ Mon, 16 May 2022 17:31:12 +0000 https://litary.net/victorian-england-between-science-and-faith-from-may-13-on-the-app/

Carrie Mathison. This is the name of the famous character played by American actress Claire Dance in the series “Home”, an innovative and far-sighted story by Showtime that aired from 2011 to 2020. It is already difficult to get rid of such a multifaceted film and complex. character of CIA agent Carrie, who lived with devotion, nostalgia and impartiality, the Danes performed with a rare skill that won her several awards, including two Emmy Awards and two Golden Globe Awards. In short, a role, a series that changes the career path. The curtain falls on “Homeland”, the first project adopted by the Danes is the British series “The Essex Serpent”. Next to her is Shakespearean actor Tom Hiddleston, who is credited with “The Night Manager” (2016) and the character of Loki in the Marvel cycle.

On the edge of the puzzle. London 1893. Cora Seaborn is a rich woman who has just been widowed. A lifelong science enthusiast, she is fascinated by mysterious sightings in Essex County, where a creature of malignant origin is suspected. The woman therefore moves to Colchester, where she meets Deputy Will Ransom. Together they try to solve the mystery…

Advantages and disadvantages. The narrative duo is provided by the novel by Sarah Perry, published in Italy by Neri Buzza. Adapted for the screen, produced by Apple TV+ and See-Saw Films, it is Anna Symon while Clio Barnard directs. The atmosphere is at the crossroads between the 19th and 20th centuries, between urgent modernity, the achievements of science, beliefs and popular superstitions that are more pagan than religious. In rural Victorian England, mysteries and suspicious deaths are quickly identified as manifestations of evil and read as a form of divine punishment. The local fishermen immediately give in to the irrational, trying to accuse a little girl. Reverend Will and researcher Cora attempt to hold the helm of straight reason, which seeks truth in the smoky folds of mystery, even as it collides dangerously with the terrain of sentiment.

The mysterious Gothic atmosphere of the English countryside is sure to triumph in this short series of 6 episodes, almost referencing the classics of 19th century literature, led by Charles Dickens and the Brontë sisters, capable of creating a sociable character and lively for the characters, between drama and lines of feeling. The central role is Cora, a strong and free woman, who believes in science and refuses to indulge in easy superstition, who herself is also spared the violence of her husband. Definitely a modern woman in search of space and the right to expression.

Overall, the story telling follows a mysterious and dramatic path, pushing the limits of horror without overstepping them. The Danes and Hiddleston dominate the scene, creating two layered, tormented and magnetic characters that cannot go unnoticed. “The Essex Serpent” is a complex and problematic series.

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Phoenix Music offers sober gigs on new app in Denver https://litary.net/phoenix-music-offers-sober-gigs-on-new-app-in-denver/ Fri, 13 May 2022 12:00:51 +0000 https://litary.net/phoenix-music-offers-sober-gigs-on-new-app-in-denver/

Nearly 108,000 people died from drug overdoses in 2021, according to the Centers for Disease Control reported this weekbreaking previous records and highlighting a public health crisis spurred to new levels by the COVID pandemic.

But while there’s been no shortage of grim milestones lately, Denver nonprofit The Phoenix sees hope as it seeks to expand its sober community to meet people where they are. happen to be – in this case, at concerts.

“We believe the community heals,” said Jacki Hillios, deputy executive director of The Phoenix and Ph.D. clinician who previously worked with families dealing with mental health and substance use disorders. “Fitness, yoga and the things that we usually do attract a lot of people. But this (drug overdose) problem is so out of control that we had to step back and reconsider.

Phoenix, 16, with its flagship Denver location at 2223 Champa St., has traditionally focused on activities such as group hikes, Crossfit training and other “transformational” programs that help people with ailments. alcoholism and drug addiction and substance use disorders. , the latter being a more contemporary term.

The cost to join one of its programs is 48 hours of sobriety, and the company boasts of having served approximately 77,000 members in 36 states. Adding music to its lineup was a “no-brainer,” Hillios said.

Phoenix’s new program, Phoenix Music, includes a partnership with the existing Send Me a Friend platform, which connects music fans and musicians virtually and in person to strengthen bonds between at-risk groups, Hillios said. This even extends to music industry professionals, who can find sober “friends” while touring with sober and sober-curious music fans at live events seeking safe spaces, meetings and support.

Sundown Colorado founders Mike and Amber Camby saw the need for a low-key, sober-curious music festival in Denver. (Provided by Ignite Entertainment)

The program will launch on Sunday, May 15, with an invitation-only concert by Anders Osborne & Friends at The Soiled Dove, which will be followed by other public events with major acts at larger local venues, according to a spokesperson. , some of them arriving as early as July.

“There’s a wealth of literature on music as a cure for anxiety and depression and for people in recovery, but the flip side is that it can be really scary going to a concert,” Hillios said. “Alcohol and drugs are extremely prevalent in this culture, so how do you make sober music cool?”

The issue has gained momentum lately as sober and sober-curious bars and restaurants have opened in Denver and across the country, catering to a market looking for a less intimidating social environment — or at least just without alcohol. The dry January has seeped into the rest of the year, supporters say, as people move away from alcohol in favor of less harmful substances and traditional party activities.

Last year, Sundown Colorado debuted as the state’s first sober music festival, while multi-day events such as Denver’s Underground Music Showcase pledged “sober bars and other resources for Artists Struggling with Substance Abuse,” among other recent initiatives.

Denver veteran singer-songwriter Jen Korte launched her in April “Clear heads” program at the trendy Fort Greene bar in Globeville, dubbing it “a booze-free place” made possible by support from the Denver Music Advancement Fund. It offers curated cocktails, coffee drinks, and kombuchas, as well as food trucks, local vendors, live music, and most importantly, “a safe, alcohol-free space where you can just be… (or for ) those who just want to go to a bar (and) dancing, without alcohol”, according to a promotional video.